Monday 7 November 2016

Aft agley

Things don't always turn out as you expect. I couldn't muster the enthusiasm to play on Saturday, day 7 of the pop-up. But that was fine, because Sunday was the session and I knew I'd be playing then. Except I didn't - I felt under the weather and the fan went out leaving me to mope on the sofa.

Of course, unexpected changes of plan aren't always bad.

Friday 4 November 2016

Curioser and curioser

These are things for which I have no explanation.

Today, despite strapping in as usual, I cannot keep my pipes in place: drones slips down over my bust, bellows slip down my elbow, and everything feels as thought it is heading towards the floor. My fingers, way too tight on the chanter, so I feel I am prising them away for each note, suddenly hit that soft perfection whee they bounce effortlessly. Despite all this I get the buzz....

I'm also at a loss to know why the version of The Road to the Isles or Burning Sands of Egypt printed in The Piper's Delight is described as being "as arranged for the pipes." It's a pipe tune, written for pipes, so how can it be "arranged" for pipes?

Less mysterious, but equally irritating, has been my failure to find a video of pipes playing The Braemar Gathering. Youtube of course just finds me videos of pipes playing at the Braemar Gathering. Luckily, I remembered that it's on Even in the Rain. 


Thursday 3 November 2016

Ghost in the machine

Of course, having decided that the buzz is simply the result of a certain level of pressure I played around with bag, bellows and elbows in the hope of finding that perfect point. I could't find it.

Not only could I not find it, I suffered from the opposite of the buzz - a thing so awful that it has no name. It feels as though everything is flat - not musically flat, but dampened and dulled like a grey day or a really drab shade of brown. The sound seems to lack any vibrancy, is almost muffled, and the chanter feels lifeless in my hands. After a while things improved, but whether that was to do with the reed warming up, my fingers warming up (it has turned cold here rather suddenly), or a change in pressure I don't know.

Something else I thought I understood the workings of is my musical memory. It only takes me a handful of play throughs to pick up a simple two parter. That may be generally true, but it doesn't work for Isles, which I play over and round and the moment I stop I can neither hear, see, nor hum a single bar.

I've been playing Flanders slowly and plainly with only the necessary graces (I think, although other may creep in if my fingers feel so inclined) but listening to the rather more ornate, and rather wistfully lovely, version of Mr Macleod I'm wondering if that needs to change.